#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

I think I got most of the cool parts down here.  I doubt it's perfect (they never are),
so let me know what you think or if I missed anything.

Frank



                                    THE TRIAL
                  (From the 1995 Soundtrack CHRONOTRIGGER OSV)

Transcribed by Frank Marchunt

Gtr I (E A D G B E) - 'Untitled'

  Moderate Rock Q=120
 4/4
  Gtr I
               ~~            ~~     ~~
   E  E  E  a  E Q  E  E  E  Q  Q   Q Q
|---------------------------------------|
|---------------------------------------|
|-12-11-12-12h13---12-11-12----10-------|
|---------------------------12-----13---|
|---------------------------------------|
|---------------------------------------|


               ~~      ~~         ~~
   E E  E  E   Q Q  E  Q Q  a  E  E Q  Q
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------------|
|-10-9-10-10S=12----------------------------|
|------------------10-11---10h11-10---------|
|-------------------------------------------|


               ~~            ~~     ~~                 ~~      ~~
   E  E  E  a  E Q  E  E  E  Q  Q   Q Q    E E  E  E   E Q  E  E      Q     Q
|---------------------------------------|-------------------------------------||
|---------------------------------------|-------------------------------------||
|-12-11-12-12h13---12-11-12----10-------|-------------------------------------||
|---------------------------12-----13---|-10-9-10-10S=12------10--------------||
|---------------------------------------|------------------10-----------------||
|---------------------------------------|-------------------------------------||


   E  E  E  E  Q    E  E  E  E  Q    E  E  E  E  Q
|----------------|----------11----|-13-11----11----|
|-13-12-13-15----|-15-13-15-------|-------15----13-|
|-------------12-|-------------13-|----------------|
|----------------|----------------|----------------|
|----------------|----------------|----------------|
|----------------|----------------|----------------|


   E  E  E  E  Q  Q  Q  Q      Q
|-11-------------------------------||
|----15-13-15----13----11----------||
|-------------12-------------------||
|----------------------------------||
|----------------------------------||
|----------------------------------||


   E  E  E  E  E E    E  E  E  E  E E    E  E  E  E  E  E
|------------------|------------------|-13-12-13-10-12----|
|-13-12-13-10-12---|-13-12-13-10-12---|----------------10-|
|----------------9-|----------------9-|-------------------|
|------------------|------------------|-------------------|
|------------------|------------------|-------------------|
|------------------|------------------|-------------------|


   E  E  E  E  E  E    E  E  E  E  E E
|-13-12-13-10-12----|-------------------|
|----------------10-|-13-12-13-10-12----|
|-------------------|----------------9--|
|-------------------|-------------------|
|-------------------|-------------------|
|-------------------|-------------------|


                                                                         ~~
   E  E  E  E  E E    E E  E E E E    E E   E  E  E  E    E  E  E  E  E  E
|------------------|-10-8-10-6-8---|-10-8--10-12-10-12-|-13-12-13-10-12-------|
|-13-12-13-10-12---|-------------6-|-------------------|----------------10----|
|----------------9-|---------------|-------------------|----------------------|
|------------------|---------------|-------------------|----------------------|
|------------------|---------------|-------------------|----------------------|
|------------------|---------------|-------------------|----------------------|


                                       ~~
   E  E   E  E  E  E    E  E  E  E  E  E
|-13-12--13-15-13-15-|-16-15-16-13-15----|
|--------------------|----------------13-|
|--------------------|-------------------|
|--------------------|-------------------|
|--------------------|-------------------|
|--------------------|-------------------|


                                       ~~
   E  E   E  E  E  E    E  E  E  E  E  E
|-16-15--16-18-16-18-|-19-18-19-16-18-------|
|--------------------|----------------16----|
|--------------------|----------------------|
|--------------------|----------------------|
|--------------------|----------------------|
|--------------------|----------------------|


   E  E   E  E  E  E    Q   Q Q  E   Q   Q Q
|-19-18--19-21-19-21-|-22--22---22--21--21---|
|--------------------|-----------------------|
|--------------------|-----------------------|
|--------------------|-----------------------|
|--------------------|-----------------------|
|--------------------|-----------------------|


   Q   Q Q  E  Q  Q Q    Q  Q Q  E  Q  Q Q
|-22--22---22-21-21---|-20-20---20-19-19---|
|---------------------|--------------------|
|---------------------|--------------------|
|---------------------|--------------------|
|---------------------|--------------------|
|---------------------|--------------------|


   Q  Q Q  E  Q  Q  Q    H   H   Q   Q
|-20-20---20-19-19----|-18--17-------------||
|---------------------|---------18--20----o||
|---------------------|--------------------||
|---------------------|--------------------||
|---------------------|-------------------o||
|---------------------|--------------------||


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths


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